Bonnie Whitmore: Last Will & Testament

Fed up with being told to “just shut up and sing,” Bonnie Whitmore has taken the offensive and turned some of today’s major talking points into songs with a message. “I thought, fine, I’m just going to sing what I want to talk about,” she says about her new release, Last Will & Testament (Aviatrix Records). While many artists have stayed far away from taking any position on controversial topics, Whitmore tackles such serious issues as rape culture, suicide, loss, and the widening divide in American society in a genre-bending collection of songs that showcase her incredible voice. Bonnie has never been shy about dealing directly with serious matters in a conversational manner. Her previous release, Fuck With Sad Girls, is full of social commentary and Whitmore considers Last Will & Testament to be a sequel of sorts to that 2016 breakthrough album. Her earlier records were more Americana in feeling, but with her more recent releases she has focused more on personal topics including her depression and feelings of vulnerability.




Rye Davis | Cut to Tape

Some people may say that country music is dead.

At first listen, Rye Davis' most recent release, Cut to Tape, will prove that to be untrue with distinguishing vocals and powerful lyrics we can all relate to. The Kentucky native released his first album, A Story to Tell, in 2018 with great success. That album included such hits as "She'd Know" and "They All Know My Name." Davis, along with wife, creative partner and manager, Brandy co-wrote all of the songs on both the previous album and the new EP. Taylor Kropp, a long-time friend, plays a major role in this project as both producer and musician, on electric guitar. They are joined by Scott Neubert on pedal steel guitar. The new EP, Cut to Tape, is composed of five songs and takes off with "If You Wanna Rock and Roll," which embodies a high-speed honky-tonk feel with powerful dueling electric and steel guitars. Davis portrays to us the story of life on the road with its trials and tribulations that all musicians face in the name of keeping music alive and well. This song is the most autobiographical on the EP as the lyrics state "out here on the highway is the only life I know, and you ain't got time for nothing else if you wanna rock and roll."


Lyman Ellerman: Closer to Home

Writing sad songs is what Lyman Ellerman claims to do best and I don’t typically disagree with his own assessment, except in the case of his latest album. Closer to Home, rather, is full of sentiment, camaraderie, love, faith, and hope. This album will fill your heart full of exactly what we need at a time like this: the things that matter to you most. It’s about shared experiences and realizing that pure joy comes from the simple things in life. Sometimes these are the things we often take for granted. Lyman has lived enough life to understand this and he has the lyrical prowess to put those feelings into words. This album is a tribute to those special moments and relationships that balance our life. It should be a reminder that those we surround ourselves with can have the ability to fill us up with contentment when we need it most. Not to be taken too lightly, Ellerman, in his usual fashion does tackle some difficult topics as well. Humanity and humility are always the common denominators.

Mike McClure: Looking Up

Red Dirt music legend, Mike McClure is set to release his new album, Looking Up, on Friday, September 25, 2020. The album was recorded and produced at his own Boohatch Studio in Ada, Oklahoma with partner Chrislyn Lawrence. The album is an incredible creation that represents self-renewal, almost a spiritual reawakening that has him sober and appreciative of living life in the moment. McClure and Lawrence have magnificently created a “page turner” of songs that are a representation of the past five years in the life of Mike McClure.

James Steinle: The Man From the Mountain

The Man from the Mountain isn’t just unique for James Steinle, it is truly unique. From what I have heard he set out to create a concept album along the lines of Pink Floyd’s The Wall, The Who’s Tommy or Rush’s 2112. Each song is written to tell a part of the overall story. But what sets this album apart is that while those iconic works are polished full band albums, The Man from the Mountain has an unpolished, rough sound. Most of the tracks are just the singer and a guitar. In some instances, it’s just James reading a poem. All of this lends itself well to the rough frontier nature of the characters depicted in the story. Another interesting aspect of this album is that the story is told in reverse. What is known as “retrospective narrative,” and if you had to look up this concept, you aren’t alone; I just did too. So, you hear the ending first and then you get to

Brennen Leigh: Prairie Love Letter

Each of us has a story, transcribed by miles on the soles of our boots and woven by years through the sinew of our hearts. Some of us get to share our stories with friends, commiserating over crossed paths. Others, like Brennen Leigh, are talented enough to weave an entire town’s worth of stories through anecdotes of its people. Her new album Prairie Love Letter lays testament to the sweet midwestern heddles serving the loom for common threads in many of our stories. “This is a collection of songs about my childhood home: the line between Western Minnesota and Eastern North Dakota,” Leigh says. “I’ve lived away for eighteen years and been homesick every one of them.”

A Look Back: Kickin' It On the Creek 2019

My 1750-mile solo trip to and from Kickin’ It on the Creek (KIOTC) was a journey in many senses of the word. I’m not used to traveling that far by car alone. But for something as special as this festival, I knew I had to do it. I stopped along the way there and back home to visit with and stay with dear friends that I don’t see often enough. I reluctantly, at first, but ultimately savored going off the grid for four days. I caught up with friends and acquaintances, and met some new life-long ones. It’s so refreshing to be surrounded by like-minded folks who are genuinely passionate about the music and are equally kind. So many people from all over the country have welcomed this Nebraska girl into their homes and into their circle of friends. I struggle to find the right words to express how I felt and what I experienced at Kickin’ It on the Creek. Spiritual, soul-cleansing, uninhibited, heart-warming, relaxing, safe, nurturing, kindness, family, community, and fellowship are just a handful of the words I could use in my description. I think everyone’s description would be a little different, but I know we all came away with the same satisfied feeling. If you’ve been to one of the four previous festivals, then you know what I’m talking about. If you haven’t experienced a trip to the Wolf Pen Branch on Little Ross’ Creek, then I highly encourage you to make it a priority.

Juliet McConkey: Disappearing Girl

Now for those not familiar with Juliet and her work, she was born and raised in central Virginia, deep in the heart of the Blue Ridge Mountains. Juliet McConkey has always possessed a deep understanding of nature and interpersonal relationships that only comes from a rural upbringing. That is articulated sincerely and thoughtfully in her songwriting.
Since relocating to Texas in the summer of 2018 she has entered the regional scene with nothing short of a meteoric ascent. She was the winner of the Blue Light Singer/Songwriter Competition in 2018 (which took place at the legendary venue in Lubbock, Texas). This has garnered high praise and respect from her fellow musicians in the Texas music scene. Since then she has cut her teeth performing weekly residencies at storied Texas institutions such as Cheatham Street Warehouse in San Marcos and Riley’s Tavern in New Braunfels.


The Reeves Brothers: The Last Honky-Tonk

Some music just isn’t meant to sit still. Or to be listened to sitting still for that matter. It blows and goes, eats and runs, and leaves the bottles in your cabinet a little lighter. A ratty note bidding ‘thanks and hasta luego’ on your kitchen counter-top with exhaust smoke lingering in your driveway and 18 wheels down the road.

A feeling of nostalgia and transience is what washed over me when I popped my headphones in and pressed play on The Reeves Brothers latest full-length endeavor, “The Last Honky-Tonk,” a fitting title and tone for the times we find ourselves passing through.


Gasoline Lollipops: All The Misery Money Can Buy

Country Music gets complicated. There’s the purists that guard the gates like Cerberus, deciding what can and can’t be called country. The Gasoline Lollipops (GasPops to the initiated) decided that like their namesake, they’d soak those ideas in flammable liquid and set them on fire. “All the Misery Money Can Buy” relishes in genre bending. The Gasoline Lollipops' singer, Clay Rose, grew up with feet in two parts of the country, Colorado and Tennessee, the former where the GasPops seem to have claimed their home. Both places drip on the record as it alternates between a punk rock sense of social consciousness, with a folky sense of lyricism all while maintaining a soulful delivery.


Jeremy Squires: Many Moons

Somewhere between the fading light of dusk and dawn – that’s where you’ll find Jeremy Squires’ latest installment, Many Moons.

The tenth full-length release since 2006, the North Carolinian doesn’t disappoint, offering a self-produced collection of songs that delve into a beautiful mix of haunting lyricism and new, intricate sounds. Each track is a testament to Squires’ overall experience as an artist – pain, loss, grief and happiness – demonstrating his true expanse as a creator.


Artist Spotlight: An Interview With The Reeves Brothers

Take two brothers with a history of performing in their family, mix it with some old school country and a bit of honky-tonk and you’ve got The Reeves Brothers. They just released their newest album, The Last Honky-Tonk on August 28th (review coming soon to The Amp and we wanted to give them an outlet to talk a bit about the album and some of their background for those that may not be familiar with them. So sit back, grab your favorite cold beverage, and learn a bit more about these brothers bringing back the old school sound to today’s country music.

Karen Jonas: The Southwest Sky and Other Dreams

On March 14, 2020, I was listening to the remarkable duo of Americana singer/songwriter Karen Jonas and guitarist/producer Tim Bray perform favorites like, “Butter” and “Country Songs” while sitting at a table with a small group at a venue outside of Fredericksburg, VA. It was the last show I attended before the live music world was flipped upside down, and I stayed until the final note fell silent. Talking to them afterward about recording and promoting their 5th album without knowing that everything would soon go dark in the industry seems like a lifetime ago. At that time, nobody could have predicted that their UK tour, as well as their SXSW showcase where they would be able to share their music with wider audiences, would be cancelled. Like so many artists, they regrouped and used live feeds from local venues to share their music with fans.

Justin Wells: The United State

Everyone’s life story is a little unique. We are all given different opportunities and chances. We all make decisions differently and handle those outcomes in our own way. But one commonality everyone shares is the human experience. The cycle of life is inevitable. We are all in it just the same; doing it the best we can. We are in the middle of a global pandemic and even though we are all handling it differently, the fact remains that we are all affected by it. The need for empathy, understanding and patience is great right now. I have seen a lot of good happening in the world to benefit our fellow man, but I have also seen a great deal of hate and violence lately. Now, more than ever, is an important time to realize we are all in this together and although our stories are not all alike, we are all going through a unifying experience. That’s the reason Justin Wells has given us this meaningful collection of songs right now. We are and need to be The United State – a state of unity.

Sometimes I feel like songwriters have this sixth sense or some level of enlightenment that allows them to know before we do, when we are going to need a song or songs to pull us through something. That’s how I feel about this album. It’s as though Justin Wells knew we would need a bright light in the dark we were unknowingly about to enter this year. He said that his first instinct after the entertainment industry shut down was to wait to tour in support of the album. Many artists put off releasing their albums because of this fact and he considered that himself. However, he knew that this album needed to be released and heard at this very moment, no matter what the industry’s situation was. I think he chose wisely.

Although a few singles have already been released throughout the summer, this is an album best digested as a whole. It takes you through the journey of life and all the stages necessary to complete it; the highs, the lows and everything in between. The album opens with the ethereal pedal steel of J. Tom Hnatow, meant to symbolize the beginning of life in the womb and how a child knows the voice of its mother before birth. The significance of the title, “You’ll Never Know, Dear, How Much I Love You,” comes from Justin singing “You Are My Sunshine” to his mother when he was a kid. The outro of the album is symbolic of whatever happens or doesn’t happen after life. I asked Justin where the title “Farewell, Mr. Hooper” came from:

“Mr. Hooper is Mr. Harold Hooper, a character on Sesame Street in the early 80’s. The actor passed away, and the writers went back and forth on how to write the character out of the show, with care and consideration for the children that were their audience. An option was to write the character as having moved away, or something along those lines. Ultimately, they went with writing it parallel to the truth, that Mr. Hooper had died. Big Bird struggles with the concept, and the adults walk him through it. This let the show address death-as-a-part-of-life as a concept to children, rather than letting it be this mysterious, frightful thing. The title of that episode was ‘Farewell, Mr. Hooper.’”

The first full track and lead off single, “The Screaming Song,” is a powerful one. It’s a thoughtful prose on the throes and wonderment of being born into this wild world. There is no other experience like it, for the birther or the being birthed. I am sure it is with good reason that a child cannot recall that memory or that the mother experiences an extremely high level of endorphins during the process, yet what an experience it must be to be born.


Zephaniah OHora: Listening to the Music

It’s increasingly easy to proclaim “they don’t make country music like they used to” while scanning any number of radio stations that label themselves as such. While the current genre drips in autotune and snap tracks, Zephaniah OHora’s Listening To The Music delivers a breath of fresh air. With its Merle-esque vocals and storytelling, guitar licks often reminiscent of Marty Robbins and the distinct cry of the pedal steel, this is as country as it gets. Country may be a surprising descriptor considering OHora calls Brooklyn, New York home (cue the shocked cowboys from the 90’s Pace chunky salsa commercial).

Kentucky John Clay: Down Here Where I Am

“No matter how many songs I write or records I might put out in my lifetime, I can say with certainty that this will most likely be the child I’m most proud of. It’s humbling to have so many amazing artists, players and humans come together to get behind your project. I realize that’s what happens in just about every recording process but this one was mine.” That’s how Kentucky John Clay describes his latest release, a tribute to Blaze Foley. “For me it was about my first honest attempt at producing, arranging and re-imagining. Giving these songs a fresh coat of paint, while also trying to showcase the diversity of my personal tastes and influences. The collaborators were the key.

Music In the Upside Down: Justin Wells

We thought it prudent to get the perspective of the state of the music industry and those it employs from one of the most expressive and poignant songwriters we know of, Justin Wells. You may be familiar with this Kentucky-based artist from his critically acclaimed debut album, Dawn in the Distance, or from the buzz about his highly anticipated upcoming album, The United State. Justin graciously answered some curiosities about how people in his position are faring during the pandemic.


Retrophonics: Self Titled

North Texas based funk and soul band, Retrophonics, released their inaugural EP this spring. The North Texas based trio’s self-titled EP lives up to its name. The five song EP feels like it would be best enjoyed in low light with martini in hand. The five tracks are torchy R&B that will satisfy any soul or jazz fan with it’s solid instrumentals and groovy melodies.

Charley Crockett: Welcome to Hard Times

If you want to know who one of the hardest working artists in music is, look no farther than Charley Crockett. In normal times, he’s out touring nonstop with his band, The Blue Drifters, and putting out albums at least twice a year. In hard times, like these, he’s put a stop to touring, but is still churning out the albums. His newest, Welcome to Hard Times, comes after his spring release of Field Recordings, a digital only release, which consisted of thirty lo-fi recordings, mainly made up of covers and deep tracks that the average listener likely hasn’t heard. Musically, Welcome to Hard Times has the signature feel of Charley’s blend of Gulf & Western.