All tagged Show Review

Review- Fred Eaglesmith at Germania Hall

You know you’ve married the right woman when she happily agrees to a 1,000-mile drive from Nashville to a small town on the Ontario-Quebec border to see an obscure Canadian singer-songwriter in a rented social club hall. But, I knew Fred Eaglesmith wouldn’t let us down.

 Neither did the sold-out crowd of several hundred Fredheads – some of whom traveled farther than we did - who were just as happy to see their bearded leader again as we were.

Eaglesmith has been off the road for four years now; after more than four decades on it. His Covid hiatus stretched well past the end of the shut-down, due to a health issue he mentioned during his show but didn’t elaborate on. Whatever it was, he recovered and served up a two-hour foot-stomper at the Germania Hall in Pembroke, Ontario to prove it. 

Review - Sarah Jarosz at Brooklyn Bowl, Nashville

Sarah Jarosz brought her road-hot band to Nashville’s Brooklyn Bowl last night. It was a homecoming of sorts for the Texas-born singer-songwriter who recently left New York for the Music City.

 Jarosz’s new album, Polaroid Lovers, is a bold step toward the pop mainstream from a one-time folk/bluegrass prodigy. It’s a strong effort, but one that’s full of the kind of dreamy songs that might make for a sleepy live show. Jarosz’s energy and confidence – she was clearly excited to be playing in Nashville - as well as her musical chops and those of her band, kept things lively and allowed the new songs to flex.

Larkin Poe Brings Down the House and Sets It on Fire

Poor Reba McEntire. While she was playing the 18,000-seat Fiserv Forum in Milwaukee March 17, Larkin Poe was shaking the foundation of venerable old Turner Hall Ballroom across the street with their turbocharged electric blues. 

I picture the Queen of Country stopping in the middle of “Fancy” and ordering a roadie to go over there and tell them to keep it down, for cripes sake. 

It. Was. Loud. These two sisters of the South – literal sisters, Rebecca and Megan Lovell, Knoxville born, Georgia raised, Nashville residing – somehow produce as big a sound with lap steel and electric guitar as southern rock royalty did with their iconic three-guitar attack. 

Karen Jonas: The Restless (Album Release Show)

Opening for the Po Ramblin Boys, Karen Jonas was still glowing from the release of her new album The Restless along with a pair of sold out performances; no doubt with several more on the horizon.

Turns out she marries up just as nicely with an ice-cold beer as she does with a glass of your favorite red. However, this woman drinks whiskey!

“Too much of anything is bad, but too much good whiskey is barely enough.” ~Mark Twain. This is how I feel about whiskey and Karen Jonas’s music. After listening to her latest album more times than I care to admit in print, I was finally able to catch Karen Jonas and company live.

What a tremendously delightful treat! She played her entire new album in order from start to finish. Along with a couple of her favorites. Ladies and gentlemen, I am here to tell you Karen Jonas is an absolute force!

In between songs, she dazzled and charmed the audience with keen insights about the next song. Why are so many of her songs set in Paris? “Cheaper to write songs about Paris than to fly.”

Prior to my favorite song on the album, she playfully quipped, “Instead of being drunk you maybe feel elegantly wasted.” I absolutely adore this song and hearing it live even after listening to it countless times prior, I feel emboldened to double down and restate that this is indeed my favorite and maybe it should be yours too.

While regaling the story of how the song, “That’s Not My Dream Couch” came into existence, she confessed that despite her ability to sing in French she’s not able to actually speak it. She goes on to say, “Canapé du rêves (Sofa of Dreams).” Maybe she blundered the phrase, perhaps the audience wasn’t impressed enough, she quickly goes, “No one speaks French? Perfect!” Which then received some laughter and she dove right into the song.

Man, the start of the B side (“Rock the Boat”) just hit hard and honestly resonated with me a bit more solidly tonight than any other time. The level of scrappiness and passion from Karen Jonas was next level and quite frankly reminiscent of two heavyweight prize fighters at the start of a match. There was an incredible burst of fire, intensity and tenacity that led me to the realization that Karen Jonas has a few more delectably hidden gears that she can ratchet up at will.

The ever-whimsical Tim Bray lead guitar was just as delightful, entertaining and exhilarating to watch in person as I imagined. 

Seth Morrissey, the stoic genius behind the scene effortlessly and dutifully played the bass and double bass throughout the night. Suddenly and surprisingly he started belting out the second to last song of the night in a really impressive bluesy voice.